TRIO vis-à-vis plays a world premiere of Iván González Escuder and other contemporary music works of Charlotte Seither, Neil Tòmas Smith, Johannes Kreidler and Beat Ferrer

GEDOK e. V. Stuttgart

More Information: www.gedok-stuttgart.de

AVE MARYJA, Konzert für Maria Kalesnikava

Maryja Kalesnikava, who graduated as a flutist from the University of Music in Stuttgart and worked here as a musician and cultural manager, but also became increasingly active in her hometown of Minsk again from 2018 onward, gained international recognition in 2020 as one of the three female figureheads of the democracy movement in Belarus.

Abducted and missing for days during the violent suppression of demonstrations, she was sentenced to eleven years in prison, mistreated while in custody, transferred to a civilian hospital in critical condition, and then prematurely sent back to the penal camp after successful treatment. Since March 2023, she has been held without any contact with the outside world.

As of today (November 2024), her family, along with us—local supporters, friends, and colleagues—do not know if Maryja is still alive.

This concert is for her.

Cathedral St. Paul

7 PM

More Information: www.tonart-esslingen.de

Program:

  1. Helmut Lachenmann (*1935): temA (1968), for mezzo-soprano, cello, and flute
  2. Wojciech Blecharz (*1981): blacksnowfalls (2014), for percussion.
  3. Reading.
  4. Matthias Hermann (*1960): Echo 3 – Study for Five Percussionists(2024, World Premiere)
  5. Mayke Nas (*1972): Cinderella (2018), for percussion
  6. Klaus Sebastian Dreher (*1967): AVE MARIJA – Music for Kalesnikava (2025, World Premiere), for soprano, bass, cello, organ/accordion, flute quartet, and two percussionists.

Performers:
Natasha López, Frank Wörner: voice
Hugo Rannou: cello
Felix Muntwiler: organ
Albrecht Imbescheid, Petra Arman, Maren Dreher, Julia Steinbächer: flute
Percussion Ensemble Stuttgart: Anna Fiveiska, Tamara Kurkiewicz, Seongyeon Kong, Aleksandra Nawrocka, Xia Yuan: percussion
TRIO vis-à-vis: Natasha López (voice), Petra Arman (flute), and Hugo Rannou (cello)

The Reiseandenken project deals with the idea of ​​creating art in public spaces in such a way that social reflection and interaction with society is achieved. Reiseandenken is presented as a musical journey of two times approx. 6 minutes in the party bus, in which the TRIO vis-à-vis will play the music of Emil Kuyumcuyan. The journey begins in the present (Marienplatz) and leads back to the past (Waldfriedhof). Afterwards, travelers are invited to take a walk through the forest cemetery, where anonymous victims of the First and Second World Wars as well as prominent figures such as Robert Bosch are buried. On the return journey, travelers have the opportunity to interact with the music and engage with their current experience. The project aims to reflect on forgetting, death and war, as well as on people as performers of their own history.

Music composition: Emil Kuyumkuyan

Idea, concept and project management: Natasha López

Bus from Marienplatz to Waldfriedhof

Funded by: Musikfonds e. V. and S-K-A-M e. V. (Stuttgarter Kollektiv für Aktuelle Musik e. V.)

Marienplatz

TRIO vis-à-vis plays different contemporary music works at the St. Eberhard Church as part of the concert series Musik am Mittag, that takes place every Saturday at 12.05 PM.

Works of Helena Cánovas (Penelope. Studie über das Warten) and Helmut Lachenmann (temA).

Domkirche St. Eberhard 

12.05 PM

BKA-Theater

Kunstmuseum

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